Wine Blog – HdR Fri. – Priorat Posse

A funny thing happens when you attempt to complement one of the organizers of Hospice du Rhone – he or she points to another organizer and say "S/he is the one you should really thank".  I believe that, over the past three years of attendance, I’ve made a complete circle, being sent from one organizer to the next.  A rare humility.

And they certainly deserve our thanks for organizing sessions such the Friday morning "Priorat Posse"!  Not just one but NINE producers of wines from Priorat presented their wines to the 550 attendees (a sold-out event again this year).  For one of these garagiste producers, the samples poured for 550 made up 10% of their total production!  Very generous.

Posse_1 The Priorat Posse – Nine "Garagiste" producers…

…and their standing ovation Standing_o

Priorat Primer
Lovers of wines made in the International Style and its "new wood order" didn’t like this session.  These wines are high in acid, loaded with minerality, and surprisingly high in alcohol (though only one of them actually felt hot), and for the most part they feature oak in a supporting role.  The one thing they had in common was a wine that did not have fruit gushing out of the glass, despite the use of the usually aroma-effusing Grenache (Garnaxta, in Catalan).  One of the wine makers said it best when she recommended that we "Stick your ear into this glass and listen, really listen, for the wine has a tremendous story to tell".

And that story is one of amazing vineyards.  Priorat is located in Catalonia, the Northeastern-most area of Spain just below the French border, where the geological profile is dominated by Schist – small fragments of crushed Shale with a depth that can extend for many feet before more rich, water-retaining, organic material is found.  This sort of growing condition tends to produce vegetation fiercely determined to live so that even plants that normally posses a sweet personality are forced to develop a real street-tough attitude in order to survive – think of a lavender plant turned "Little Shop of Horrors".

The dominant grapes in this area are Carignan (Carinena or Carinyena in Catalan) and Grenache (Garnaxta), with some Syrah and Cabernet to round out the field.  Those in the tasting will long remember the flavor profile of these wines – acidic, mineralic and tannic with very deep, dark fruit.

A very interesting story to tell, indeed. 

Wine Blog – Hospice du Rhone, Day 1

My liver is being given a welcome break in the wireless internet lounge, enhanced by a bottle of sparkling water hijacked from the lunch table.  Spitting hardly seems sufficient to brace one’s body for the onslaught of 15%+ wines that dominate today’s tasting stages.

That said, today’s Hospice du Rhone is the 14th annual, which happens to be a magic number for any serious Cub’s fan.  LindquistAnd my baseball analogy is apt for this year’s Person of the Year – Bob Lindquist of Qupe Vineyard – who was honored at today’s lunch with his image on baseball cards, apparently because he is a life-long fan of some team from LA called the dodgers.  Some team who spoils their fans by actually winning pennants.

9:00 – 10:15 The Wines of Elderton (Allister Ashmead, Elderton Wines, John Larchet, Moderator)

Though I am not a fan of the pepper-and-jam, over-oaked, high alcohol, in-your-face Aussie Shiraz, the Elderton wines were far more interesting than I’d expected.  For once, Aussie wines as enjoyable as their people!

Elderton did justice to the Barossa Valley’s 250+ years of wine production, a history only briefly interrupted in the middle portion of the 1900’s when Barossa found sales of its fortified wines suffering painfully due to the changing winds of a British tastes, a market then favoring Claret over fortified Aussies.  In 1979, the Ashmead’s purchased a beautiful Barossa Valley estate built in the early 1900’s, and the vineyards were in such neglect that they "were thrown in" as part of the purchase price.  Wow.  Such things should happen today.  Some of my highlights from this tasting:

2004 Elderton "Friends" Shiraz
The complexity surprised me, with an earthy entry followed by crushed berries and a surprisingly elegant finish.  Still has the big jam and pepper, chocolate, plum and vanilla.  Mostly Shiraz (Aussie for "Syrah") with 5% Mataro.  Pleasant alcohol well balanced at 14%.  A nice wine in the $15 range

2004 Elderton Shiraz
Save yourself some money and buy this $30 over their more pricey $80 "Command" vineyard Shiraz, as this delivers more fun for the money.  Less oak than in previous releases (14 months instead of 24) and the wine is well served by this wise decision.

Wow, look at the time – I have to go to the 3:00 barrel tasting now.  More later…

Blogging Hospice du Rhone

Today and tomorrow we’ll be attending perhaps the greatest Rhone event in the industry – Hospice du Rhône.  Though the Rhône Rangers event has more opulence in the sense of raw quantity of wines to be tasted, this is the best Rhône event for a number of reasons:

  • Great education sessions by Rhône winemakers worthy of the term "legendary"
  • Inclusion of Rhône wines (and winemakers) from all over the globe
  • The fact that Rhône winemakers attend the event in numbers almost equal to the press and enthusiasts
  • These guys are fun!!  Never afraid to embarrass themselves for the good of the event, spoof videos, skits and auction leaders make this an event like no other.

This morning’s two sessions feature wines of Australia and Priorat, for example, before breaking for a catered lunch with wines donated by all producers present – it’s sort of a grab bag of wines – the red wines are placed randomly on the tables (and yes, there’s a mad scramble as people grab food and rush to find the table with the best wines!) and the whites and roses are placed in random ice tubs.  I can’t wait!

After lunch (always attended by the winemakers too!) there is an hour break while the winemakers set up their barrel samples and we all get a chance to taste the wines of their next release.  It’s tough work, tasting through all these wines to pick out the ones we like best, but it beats cubicle land!  You can see our picks in upcoming club shipments, always featuring wines from small producers unlikely to appear in stores near you.

We’ll bring you more info later today – sign up for our email notices of postings to read our upcoming posts.

The Making of Bubby-cillin

It seems everyone I know received a gift from their co-workers this week.  Or from their kids – perhaps very appropriate given this Mother’s Day weekend.  Sadly, this generosity is of the viral nature, and I don’t mean the sharing of amusing online ads.  I mean the springtime cold – a miserable half-dead existence marked by an endless trail of tissues, loss of sleep, red noses, body aches and thinking at half speed.

Modern medicine provides little relief and no cure.  Over the years I’ve formed the opinion that the shortest path to recovery is a few good bowls of ‘Bubby-cillin" – home-made chicken soup.

What does this have to do with wine?  In my book, all paths lead to wine.  You see, whenever I think of colds, I’m reminded of a Jewish friend I had in the sixth grade.  He was the source of tremendous fascination to this goyum, and taught me some truly fun Yiddish phrases that sixth-grade boys found milk-through-the-nose amusing. 

Whenever he had a cold, his Grandma would send him to school with a thermos of Bubby-cillin – something he loved, and which always tempted the rest of our table with its smell.  Up until then all I’d known of chicken soup was a can of Campbell’s, and while it’s a fine dish for colds, it simply doesn’t have the curative powers imbued in Bubby-cillin.  (Note to self, scratch Campbell’s off your list of potential sponsors)

I once asked my friend to bring the recipe from home so my mom could make it.  As he did with all of my naive but sincere questions about his family, he patiently explained that his Bubby used no recipes for anything she cooked, "she just tastes her cooking after each step and knows what it needs next."  As if I’d just been informed that Santa didn’t exist, this was an unbelievable revelation for a kid from a recipe-only household.  It still is.

Fast Forward
Jump ahead to March, 2006, inside the brand new tasting room for Costa De Oro Vineyards in Santa Maria.  In this attractive new building, surrounded by the Burk family’s strawberry fields outside and bushels of fresh produce inside, I was evaluating wines for our wine club panel.  Gary Burk is the winemaker, and he hosted the tasting.  I asked my usual battery of questions about the finished wine – it’s pH, TA, maceration time, etc. – and after a series of "I’m not sure" answers, Gary (one of the most polite individuals in the wine world) said "You know, there are some very good winemakers who make wine by the numbers, but I’m just not one of them.  I remember tasting wines once with the late great Mike Bonaccorsi, when he discovered one he absolutley loved – he couldn’t rest until he’d gotten the lab reports, he even wrote them down in a book so he could run some trials with his own wine.  I’m just not like that, I simply know the sort of wine I’m after, and don’t interfere much with the process."  And there you have it – Pinot-cillin.

This from a man who insists on harvesting his vines in eight separate passes, each taking only the most perfect of fruit.  But then, that WOULD be the approach taken by an owner who came to the wine world via agriculture, and who konws the value of stewardship of the land.

Costaoro03labellg Costa De Oro – 2003 Pinot Noir, Gold Coast Vineyard, $27.25 – this unfiltered wine (always a plus in our book!) shows bright fruit flavors that are its most memorable feature. They bring to mind an adult version of the sour cherry candies of our youth. This wine is more complex and satisfying than our sugary memories but still features those same bright flavors. And since these flavors predominate, you’ll find none of the stewed fruit nuance found in some Pinot.

2002_oro_rojo_pinot Costa De Oro – 2002 Pinot Noir, "Oro Rojo", $40 – First, a note about the label on this reserve wine.  I believe the only reason there is any left is that the label, in all of it pinkritude, simply doesn’t say “this is a super-premium, award-winning, $40 pinot!!” Gary must have agreed, as he changed the label in 2003 (below), which is also a great discovery. In fact, we tasted the freshly-labeled 2003 next to this wine, and initial impressions favored the 2003. At first, it seemed friendlier, rounder, more come-hither.

But as our tasting ended and dinner began – grilled turkey thighs, potatoes, and fresh green beans – the 2002 was gone first, a fool-proof consensus. There is something alluring about this wine, give it an hour in the glass and a great meal and watch the layers develop.  I asked Gary about this feature and loved his response, “Yeah, this wine is like Isabella Rossellini at a party with beautiful people – at first you’re attracted to the flawlessly sculpted beauties, but as the night wears on you are increasingly drawn to her soft-spoken intelligence, alluring accent and comfortable sensuality.”  Only 150 cases produced.

2003_oro_rojolg Costa De Oro – 2003 Pinot Noir, "Oro Rojo", $40 – This wine shows a richer nose than the 2002 – look for slightly more toasty oak, black pepper, and bright cherry. On first taste, we preferred this wine to the 2002. Mouth-watering acidity, bright berry and cherry fruit, and subtle but pleasant oak spice. Also unfiltered, as is our preference. When pairing with food, lean towards the classic pinot foods – Game birds, roast chicken or turkey, Boeuf Bourguignon, Coq au vin, mushroom anything.  Only 150 cases produced!

Wine and the Immigrant Worker

I was listening to the news this morning about how the hispanic community is split over whether to support today’s work stoppage.  Some favor it, others feel it will alienate their cause.  Congress seems only slightly more unified in their approach to suggested solutions.

I don’t propose solutions here, but rather pay a brief homage to the thousands of calloused hands that make possible the product of our passion.  Without these seasonal workers, some legal, some not, the wine you enjoy would cost far more than it does today. 

Perhaps Maya said it best in her poetic ode to wine in the movie "Sideways":

"I like to think about the life of wine.  I like to think about what was going on the year the grapes were growing… about all the people who tended and picked the grapes, and if it’s an old wine, about how many of them must be dead by now…"

So tonight, when we pop a cork over dinner with the Sagerman’s, I’ll think about the field hands that made it possible.  I don’t know of any easy solutions on the immigration issue, let alone today’s work stoppage.  This complex issue calls to mind a saying from an old favorite of mine, the crumudgeon, H.L. Menken (1880 – 1956), in what he referred to as Mencken’s Metalaw – "For every human problem, there is a neat, simple solution; and it is always wrong"

The Fine Art of Spitting

Tim McDonald spits at SFIWC
Tim McDonald – an A+ Spitter at the ’09 SFIWC!

Now, in fairness, tasting six or eight 1-ounce wine samples doesn’t exactly strain one’s liver or raise one’s BAC to dangerous levels.  And the lack of spitters at public tastings is not unusual.  In fact, finding a high percentage of spitters at any wine gathering pretty much assures you it’s a trade tasting.  Those in the trade not only spit, we take pride in it.  Competitive pride.

I’d like to tell you I’m the most accurate wine spitter you’ll ever meet.  That’s what I’d like to tell you.  The truth is that in the realm of professional spitters I come in at, oh, maybe a C.

My limited spitting skills became painfully clear some years ago during a barrel tasting at Napa’s Swanson Winery.  Marco Capelli was their winemaker (now a consulting winemaker in Placerville) and our host for the tasting.   He started the tasting by placing a 5-Gallon plastic bucket in the center of the floor before pulling a barrel sample with the wine thief.  He dispensed a small taste into each of our glasses as he told us about the wine.  One by one, each of us sniffed, sipped and then, taking turns at the spit bucket, bowed our head so that spitting was a combination of gravity and our natural-born ability to dribble.

Then Marco stopped talking and took a small sip.  He performed the requisite swirl and swish, considered it for an instant, and then stood where he was as he let fly a solid, cylindrical stream of wine.  It was heard more than seen, hitting the bucket with such authority that not a single drop had enough nerve to defy the boundary of the bucket.  He was standing comfortably upright, a full four feet from the bucket.

Later, when I could pull him aside, I asked about his enviable spitting technique.  As I dabbed errant wine stains off my shirt, he explained the basics of spitting like a pro:

“First”, he said, “to taste a wine adequately you need far less than most would think – half an ounce is more than enough.  This small amount also helps maintain an accurate spit. When ready, simply pucker your lips and tighten your cheeks (note, your mouth cheeks).  Flatten your tongue so it seals up tight against the molars on each side, allowing the wine to collect between your tongue and the roof of your mouth.  Then quickly force your tongue up towards your teeth.”

“After that it’s all about getting the right muscle control and pressure – just practice in the shower until you can maintain a solid stream of water that accurately hits the target.  I use my shower drain for target practice every morning.”

Well, I’ve been following his advice for a dozen years now, and I’m still not a Grade-A spitter.  But I can stand in the cellar with the best of them and issue forth a stream of sufficient force and accuracy so that I can avoid the heave-ho – one must exhibit sufficient spitting prowess to be worthy of tasting next to the winemaker.

And of course, one must also be able to say something insightful and intelligent about the wine.  But that’s a topic for another posting.

(Related reading – Jancis Robinson’s “How To Taste”, where you’ll find a one-page spitting tutorial buried amidst a mountain of other valuable material.)


Dave the Wine Merchant

A Whack on the Head

In launching a business, one gives up certain things. A salary. Family time. Sleep. This latter sacrifice caught up with me recenty. I’d had one of those “up at 5:30, drive 350 miles, attend meetings” sort of days.  And by late afternoon, perusing a wine publication at the local coffee shop seemed just the thing.

But staying awake was a struggle. I read a frustrating article in silent disagreement with the curmudgeonly writer. He seemed threatened by our evolving industry – “Why buy Syrah when you can get Cabernet for the same price?” he queried, followed by inflexible statements such as “Napa is the only source for great Cabernet” and “Those who shun Chardonnay forget it’s simply the greatest white wine on earth!” His hubris grew irksome. I closed my eyes in frustration. They were closed just for a moment, and then… BANG!

My head bounced on the table.

This tends to wake me up. And while I don’t recommend it as a regular form of inspiration, this whack on my head did bring a certain clarity to my silent debate…

Continue reading “A Whack on the Head”

"I ONLY Drink (fill in the blank)"

It’s been said we learn a lot from our kids.  And sometimes we learn from the books we bought specifically to teach THEM something.  You see, I have a young daughter who, despite our best efforts raise a woman prepared for today’s world, wants nothing to do with anything that isn’t pink and glittery.

So we stumbled upon (yes, I know my intros are long, but this is the set up for my point about wine – we’ll get there in a second!) a book we thought would help her understand the importance of balance, of diversity in choice – Priscilla And The Pink Planet, by Jocelyn Hobbie.

In a nutshell, Priscilla is an inquisitive little girl who lives on a planet where pink is the only color allowed, by decree of the Queen. But independent-minded Priscilla dreams of seeing other colors and blazes her own trail to do so. 

By the end of the story, she’s used some very adult psychology at a tea with the Queen to convince her that, while pink is CLEARLY the best color, hiding the other colors might not be in its best interest because "…it’s hard to tell that pink is the best without seeing all the rest.  If all the colors were out for the world to see, pink would look even pinker, don’t you agree?".  And of course, once the other colors were out of the proverbial bag, the Pink Planet became a more interesting place.

The Wine Angle (Finally)
I was talking with one of our club members recently, who was complaining about receiving a white wine in her club shipment.  "I only drink red", she haughtily explained, then finished with "Every sophisticated wine drinker knows that white wines are born hoping to grow up to be red."

And there I was.  Talking with the Queen of Red.

She’s not alone.  The ranks of the Red-only Royalty are so burgeoning that one concludes membership is not particularly exclusive.  In fact, admittance is easy – members must simply believe that red wine is the only wine worth drinking (even if it’s free).  The more extreme sect believes Cabernet to be the only wine worthy of their esteemed gullet.

I understand.  As I’ll write in my next post, I followed the Cabernet/Red wine infatuation path for years.  But then I tried red wines in Europe.  And I tried sparkling wines, in Europe.  And I tried WHITE wines and, yes, even PINK wines, in Europe.  And I loved them all.  And then I came back and tried the widest variety of Domestic wines I could find.

At first, I found that these new flavors made me love red wine all the more.  Then, over time, something funny happened.  I discovered that a big red wine over-powered everything I ate with it, while the floral, acidic white wines, the blush wines, and the softer reds (especially pinot!) tasted BETTER with food, and the food tasted better with them.  I was hooked.

And yes, I still love red wines, just not all the time.

The Wine Deal
And so, for those interested in sampling a broader spectrum of wines, we present the following recommendations:

White Wines:
For a great wine that complements our lighter International diets,
Marsanne is all too often overlooked.  Here we feature one from Buttonwood Farms in Santa Barbara County – where growing conditions strongly favor the Rhone varietals.  And for a full-bodied style of Sauvignon Blanc, we can recommend the anti-Kiwi alternative from Fiddlehead Cellars, now on sale for $27 – an age-worthy white wine that converts many "Red Royalty".

Blush Wines:
Blush wines aren’t just for picnics anymore!  Try the one from
Kalyra, made from Cabernet Franc – the predominant grape used in the delicious Loire Valley wines.  We have a flock of pink wines about to be released, and we’ll announce them here or through our email alerts (sign up here).

Light-Bodied Reds:
One of the more interesting wines I’ve seen in a while is a food-friendly wine, again from Buttonwood Farms, that is also from the Cabernet Franc grape.  Dubbed "
The Infant", the juice was left on the grape skins longer than one would for a pink wine, but not as long as one would for a full-bodied red.  A great spring wine.

As you might expect from us, no description of the "rainbow of wines" would be complete without pinot noir.  But there were so many to choose from in our store that I provide here a link to the entire
category for perusal by interested parties.  And yes, the category also includes Chardonnays – a vestige of my Burgundian classification habits.

As we progress up the scale of bigness, I hesitated to place Syrah before Bordeaux varietals, because so many of them are being made in bigger and brawnier styles.  So I’ve decided to
feature one here that hails from high-altitude, Central Coast vineyards that produce a softer, leaner style well suited to today’s foods.  It’s from rising-star winemaker David Corey, and is well worth checking out now, before the wines become so popular nobody can buy them anymore.

OK, if being king means you’re the biggest, I guess Cabernet is still the king of reds.  And while we offer some excellent
Bordeaux Varietals, our featured Big Red wine is the Nebbiolo from Benjamin Silver – another winemaker on the rise.  His Nebbiolo is very true to type, grown in conditions similar to those of the great wines of Northern Italy – Barolo and Barbaresco.

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Build Your Own Pinot – part 2 of 2

How would you go about making a world-class pinot noir?  This, of course, is a rhetorical question.  Creating a satisfying pinot requires years (lifetimes?) of experience in winemaking and viticulture.  The well-worn path to pinot failure is lined with the remains of those hoping to shorten the time-intensive process, then discovering their odds of success are only slightly better than winning the Lottery.

As with most things artistic, there are a thousand creative decisions that interact to determine the ultimate result.  Here is an overview of the choices you would have to make in producing your own, award-winning pinot:

Which vineyard location?
Few varietals reflect a sense of “place” as much as pinot – it is Terroir-Driven.  In selecting your vineyard, consider altitude, soil type (is it high or low vigor?), drainage, wind, average temperature by day-part, rainfall by season, and avg. hours of sunshine.  U.C. Davis recently held a conference on “Terroir”, with the day’s most memorable quote coming from <i>Randall Graham of Bonny Doon Vineyards</i> (though as I write this it seems more appropriate to make that the other way around) who said “I’ve concluded that one lifetime is simply insufficient to learn how to produce terroir-driven wines”.

Which Root Stock?
This is relatively easy, as there are likely only a handful of viable rootstocks.  But if you have high-growth, vigorous soils you’ll get lackluster pinot.  So pick a low-vigor rootstock to reduce your crop yield (an activity known as “de-vigoring” the vines).  Two tons of fruit per acre is a reasonable goal, though some of the best pinots come from vines producing less than a ton per acre.  The increased intensity of the fruit from low-yielding vines is one of the primary reasons for the high price of pinot.

Which Pinot Clone?
This gets tougher – pinot has a highly unstable DNA structure that easily mutates.  To date, over 1,000 pinot clones have been documented, each producing pinot with slightly different characteristics, and which must be selected to grow and ripen most effectively in your chosen vineyard and on your rootstock.  Note, by contrast, the highly stable Cabernet Sauvignon vine has only a dozen identified clones. 

The truly curious find it helpful to know some pinot clones are named after the winery or vineyard that popularized them (Wente, Beringer, Martini, etc.) while others are numbered, with domestic clones being assigned numbers under 100 and French clones assigned numbers between 100 and 1,000. 

Which Trellising System?
Trellising, or “training”, the vines determines how much sun exposure the grapes will receive.  This decision requires that you balance freedom from the molds and diseases that threaten these temperamental grapes against the possibility of sunburn and.  Direct sun exposure also affects the grapes’ ripening speed and the flavor profile they produce. 

Etc. Etc. Etc.
Your list of creative choice goes on to include decisions on date of harvest , sorting technique, whether to de-stem prior to fermentation, cold stabilization prior to introducing yeast (or choice of natural yeast, if you have experimented enough to know your local yeasts are desirable), type of yeast if innoculating, length of maceration, to rack or not to rack, to filter or not to filter, type of oak barrels to use, degree of toast desired for the oak, and length of time in barrel.  Finally, how much do you want to spend on bottle, label and closure (cork or screwcap?)

This long and intimidating list of choices is being taken on by a growing number of small producers, many of whom are refugees from the increasingly large wine conglomerates whose accounting departments over-manage their artistic wine making process. 

Wines from these producers dominated the San Francisco Pinot Noir Shoot-out in March of ‘06.  This public event featured 40 pinots, each wrapped in foil and randomly assigned an identifier, then tasted in a blind format.  A panel of astute pinot experts had tasted over 200 pinots in order to select the 40 they thought the most worthy.  This format not only tests one’s palate, but allows an accurate calibration relative to that of others.  I am pleased to report that I discovered some great new pinots that day, and am in discussions with some of the producers to them to you.  Watch for them here.

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Quote of the day:
"How can a few notes of music, some paint on canvas, mere juice of grapes fermented with yeast, have the power to lift the human spirit? No one can explain this; it is the mystery of art."
– Unknown

"Questions answered. Answers questioned." All about Pinot (1 of 2)

“So why would somebody choose cane pruning, given all the labor involved?” I asked Webster. Perched on a hillside vineyard hundreds of feet above the valley floor, we were ignoring a view in favor of the task at hand. Stepping from vine to vine, we’d select the two best grapevine canes, trim off the rest, and tie the strongest one to the trellis, reaching horizontally towards the neighboring vine. Finally, if we succeeded without breaking the cane, the second “back up” cane was cut off, leaving a single “cane trained” vine.

“Cane training is more labor intensive, and can only be afforded when the wine’s price supports the cost” Webster explained, “Cane training involves either two canes extended in opposite directions from the trunk or in more densely planted vineyards, a single cane extended towards the neighboring vine.”

Webster is a partner in a small Pinot Noir producer – the kind we like to discover and support. Some such producers tend vineyards owned by others in order to assure their grape quality – sort of a modern version of share cropping, but more equitable. My wife and I had spoken with the partners many times as we passed this vineyard, but this time I’d offered to help with the manual labor in exchange for some knowledge.

Webster continued, “By training a new cane each year instead of simply growing canes from a permanent cordon, or trained branch, the new growth is less likely to be diseased, and we feel it produces better quality fruit (Illustrations). Of course, such decisions are driven by the style of pinot you have in mind and the results of experiments in your own vineyard – each pinot vineyard responds a bit differently to each decision you make…”

This is but one example of why wine drinkers find pinot so alluring – it responds differently to so many conditions, from the vineyard to the glass. As such, the number of decisions an artisinal producer can make is constantly increasing, and their combined affect on the wine is like no other.

Mirroring the fervor of the producers they adore, true pinot lovers are constantly driven to seek “the next great producer”. Old-time pinot lovers look on the wine’s recent popularity with some dismay, feeling as if the whole world has discovered their great little hobby and made it more difficult to acquire their treasures. But newbies and veterans alike agree that our pinot selection service is useful. We take our responsibility seriously, tasting new pinots almost daily on behalf of our subscribers. Here are some new releases we are proud to introduce:

New Releases!

  • Roessler Cellars, 2004 La Brisa Pinot Noir still just $28.
    This lovely wine from cool Sonoma Coast vineyards was a sell-out hit when we introduced the 2003, and we wouldn’t have this allocation of the 2004 if I hadn’t called and bugged the winery for more. The original release date for the ’04 was this summer and when I learned it had been moved up by four months “because it’s tasting so great now”, I wondered if it was the cash-flow talking. But pulling a bottle from our precious allocation quickly qualmed my cynicism – I should have known the Roesslers wouldn’t release a wine that wasn’t great! An amazing price from this reliable pinot-only producer. I haven’t seen production numbers for this new release, but the ’03 produced less than 600 cases.
  • Casa Baranca 2004 Pinot Noir, Santa Rita Hills (Organic) $30 (“Miles’ Selection” subscribers will see this wine in April shipments!)
    I first tasted this wine at the 2006 Pinot Noir Shootout in March – a blind tasting of 40 Pinots selected from 230+ entrants. My notes said "Likely expensive and highly popular. Opulent, with mouth-watering sweet-tart cherries, pleasantly integrated sweet spices and a touch of gaminess. Nice acidity!" I was pleased to see that this wine was in fact, NOT expensive, as pinot goes! But I do believe my intuition was right about it becoming popular – time will tell. Just 350 cases produced!


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    Quote of the Week:
    "Small and mid-size wineries are driving the changes in California wine. They are the market innovators…"
    Vic Motto, Wine Industry Consultant